Translating these ideas and techniques into a watch was not easy. Ultimately though, we decided to combine Guillaume’s approach and ideas with traditional crafts, meeting in the middle between his human-scale canvases and our watchmaking art.
At the center of this is the dial, which starts with an 18k white gold dial plate hand-engraved with undulating patterns reminiscent of light reflecting off the surface of a nearby lake. Many layers of colored enamel are then applied on top of that, giving the engraving a shimmering effect through the red, pink, and grey hues, which themselves recall the colors of a beautiful sunset as one might remember it years later. The surface also recalls the organic stone dials that are central to our approach at Biver, bringing the idea to life in a new way.
“I think a lot about scale in my work,” says Guillaume. “A great image can be read from far away and is pleasing to look at, but as you get closer it reveals more and shows you more detail. For me, working on a 39mm watch was like working on a canvas that needs to be seen from far away, so it appears small, but then if you can look very close, it needs to reward you with something more, which is why we decided to work with engraving and layered materials.”
The unique dial is housed in an Automatique case made from stainless steel, a first for that model (typically available in platinum and rose gold variations). This makes it significantly lighter weight than other Automatique models and the stainless steel itself shows off our high level finishing in a completely different way, especially how it responds to polishing and brushing. To emphasize this, we also inverted the finishing across the case for the first time. As with all Biver watches, the natural properties of the material are something we highlight, giving this watch even more personality.